Robert mcgee to character, synopsis

Now, for his book on character

It's most likely the best book in regard to character development and arcs, is it the best? Not necessary, but it reaches out on top of the rest being on top.

Particular Chapters that stand-out are the complex character, The Symbolic Character, and the Radical Character within his chapters, his handling of short-form and long-form storytelling within the last chapter is captivating of how he dismantles Breaking Bad and Slave Play.

The distinctions between characterization, true character, character driven/vs event, and the setting and character. What little conceptual frameworks to comprehend and competence for the writer.

Not perfect with IQ or EQ, Free will and sense of selves with though are expertly summarised.

Synoptic Reading: McKee's Body of working, Ex-Hollywood screenwriters love-letter to the craft. My life and living with such pondering.

No wonder this was recommended to me in regard to understanding basic writing structure, these are merely anatomy references towards the dreams of a creative writer.

He's a scriptwriter, so naturally he's a bit biased. What he does is give the all-medium writer with the others. He seems to go an inspire others like all reverse-engineers do, and attempts to describe certain key concepts like the controlling idea used in further writing books forwards.

Any entertainer of non-fiction will have a shot, although the story grid reaches out on top in regard to editing one's draft. Oh, writing the natural way aligns as well as doing free-writing like this.

(Skipping all the fake show-don't-tell maxim, including the obvious Orwell praise, I'd recommend Snowball's Revenge if you'd like to hear my opinion on that. )

The Story Grid/Character/Writing the Natural Way > Dialogue/Story grid Pride and Prejudice:Act > Story/Action > Storynomics

Ignore the centirism, have at it.

Gatekeeper/Folksonomy+Natural Selection

Two modes of distribution

Gatekeepers

Within commercial entertainment, there's a state of power-brokers who still hold to the status role of artist, entering their masters and not the culture. From the disk jockeys, broadcasters, record labels, syndicalists, and curators. Their own time to making a directed stream of attention, being the rawest form of the mercantilism.

All this treats the non-measurable thing, attention, as the product. A product expected to make a return by a direct sales, reading this right here.

They still exist, especially within the industry. I'm not sure if the job-hunters will be able to test their luck with their resume's though. They have less power and meaning though due to the last two.

Folksonomny+Natural Selection

Most of the internet now operates within this systemic means of recognition, via a tag, forming communities of practice with their own status roles to allow governance.

Yes, this will be the way going forward now, mostly when it comes to the internet. I'm not sure how this distribution will change with the mishap that is our gig-economy in regard to freelancing.

With the moment of tagging and scrolling, including this post. Points of knowledge and info are interlaced within the words of today and create the meaning of tomorrow. Merely to show to fact of how everything on the internet that has changed.

One of the reasons why do these influencer sources seem to fail at is deciphering a correct essentialism to deciphering a qualia within an algorithm, which gets more zombie like, and a robot without a conscious thought. So this weird system of how to game it, doens not 

Kyro's Anhedonia

 Hedonism feels pretentious, my sex life has not been the passions to the amount of what had helped me.

I could remove my sex, like that in a instance and it won't get into the way of life. Sex a jumping point of rabble that can only be seen as a cheap exscuse for love, a betrayment that the masquerade entails.

All Bl**** B***** if I do say so myself.

Anatta, Non-self in the pursuit of creative work.

When to first discovery of the self, there are uncovering of many selves, the private self with two external personal and social. Then the hidden self that is unconsciousness with the desires.

Then there's the non-self, one of meditation.

Anatta

There's a scene where a man shoves a banana in his mouth, and I'm reminded of that scene. Krapps last tape. Yep, that last tape, The main character did it despite the advice of his physician.

Sometime, inertia within it's infinite complexity and contradiction, will impede the mise-en-place. That's why it's so important to recognize the shapeshifter within. Self dramatization that cannot happen to the moment, since the work is the embodiment of what proceeds onward.

There's a workism, apparently. Oh dear, that school of thought really has meant to differentiate hobby work with Professional work, and it's its own matter. Going to contradict my own work-ethic now with emerging theories to the point of yet another complexity.

What if identity was getting into the way of the eudaemonia, of a life-welled lived?

Apparently, a well lived life is within working in front of a digital tablet of making a fictional world where magic could happen. Without interruption, that is what business is now, I don't know what else.

Why wait in a meeting for a prospective boyfriend when that relies on luck?

The hack does not have any of these concepts, they only care about what counts, as cheaply and as fastly as possible.

On-gaku our sound : Too late for what?

Aya: Good luck

Kenji: Good luck for what?

There's a scene on On-gaka: Our Sound on the piece of performance, that it's still a gig-economy and that the strategy of being picked, Luck have nothing to be made as those when it comes to doing it as a hobby.

When keeping it in mind of the mental fulfilment, the selfishness could be a virtue of self-love with the means of hobby being the only piece of sanctity with the amount of work.

Or, so with the performance with Our Sound

8 to 11:15 of this 36:20 min essay for the source