Guess this is a frank confessional on state-craft. Examining ideologies and then moving back into diplomatic entertainment. This will be the most labelist piece, and all these are not to be pressures as I circulate through the ideological forces around my time and place.
DIPLOMATIC ENTERTAINMENT, even that has contradictions, don't you see? Yet here we go with another narrativising pull. As a host! Yet State-craft opinion is something for those who never tire of it.
There's a lot to appreciate here, If I can skip the talks of Stalinism/Marxist Leninism then it's pretty good of capturing the mass media cultish zeitgeist that predominates our lives as capital is made to social, then it's returned in that of a realist mindset as everything is reduced into an exchange value of such with all the gift ecomonys returning into a questionable mirage.
Everything to be bastardized I guess, Or what was Marc Fischer's goal of acid communism to come up with from such concepts to our ends and desires, of such drab material gothic ends.
Then it goes back again. Yet his quote "It's easier to imagine the end of the world than it is to imagine the end of capitalism" Wow, that draws an image within the cosiere circles. They're all hidden away within private accounts of twitter now, 2018 was a way to go.
Well, it certainly shines a light of my own pluralist tendencies and ideological presuppositions. Twitter feels like it's regressed, along with its containment unit of Bluesky, and I'm here, wondering the hours like it shall get along. I keep flipping back and forth of the principles of anarchism and Marxism scroll from the site as things draw around from confessional after confessional, it feels like I'll have to examine all the statecraft structuralisations and introspect.
Now there's tension between the Luddites and the accelerationists with that tension, I cannot relate to the Luddites any more due to the guild failure, since with my own confession like with Harlan Ellison, even guilds and unions can sell out.
Even as a drift on, I'm resonating with Neil Postman's and Mark Fischer's Accelerationist. One that is different, one with technology. Yet now, at this rate, We are to deal with such contradictions as of now.
Why, oh why, do I happen to come, where every artist justifies making money with Michelangelo and Shakespeare commercial plays, that the Mona Lisa was a non-profit project. Oh, such a complication.
Thanks for reading. I'll get back to it. Along with the labelism. Your still going to get labelled anyway.
(Oh, and you're wondering why there cannot be between unity, I think of this by Badmouse, could not fully follow him when he left the ml space, yet with the time he's become a libertarian socialist. Welp, that's what ideological primordial souping does to you. Still like his electorlism, and baby vaush video minus the adultism.)
(I don't even watch Vaush, guess a lot of info has been revealed about him that Badmouse was incorrect about, oh well, that's truth value)
Deep, man. Some concepts to take and give away, was he really pushing for a space-communism? Or was it meant
That's what these stream of consciousness happen though, hypocrisy naturally emerge, then with error theory they are naturally for a better collaboration. Or 'better' means monopoly/monopsomy.
Addendum:
(Further post-edit note, I'm not following Cory Doctorow much now, he's right on copyright yet this time to understand encrudificaiton, it has to go deeper than that when it comes to host service deterioration.)