A warning from all the times I sucked my thumb, yet my locality don't mind.
With its effect amplified when i'm more sluggish, yet I have to go to work, to make something meaningful. A gap of incisors when I grimace.
I try to articulate, I've noted when I say stream, it comes out as stweam. Words come out like tree sap. Times of nervousness more so.
Within crusader kings three, a game of monarchy and backstabbing. It's a trait that lowers charisma, that does not apply to me. I'll try to articulate my oratal eloquence, to the best of my ability. Yet the belief and heart behind it more so.
All the more importance to pursue a sensible sleep schedule than to face fat tonguing it.
Ppthtptht.
Note, It seems that Obs microphone self-monitoring is making me drop the narrative of my slow, slurred speech and lisp. Like an actor practising in the mirror and getting too stiff and over-practiced with his movements, things are looking up.
Reminds me of the time reading Constantin Stanislavsky, of the mirror only capturing the internal and not the soul of the performance. He can teach a lot about acting other than improvisation.
With its effect amplified when i'm more sluggish, yet I have to go to work, to make something meaningful. A gap of incisors when I grimace.
I try to articulate, I've noted when I say stream, it comes out as stweam. Words come out like tree sap. Times of nervousness more so.
Within crusader kings three, a game of monarchy and backstabbing. It's a trait that lowers charisma, that does not apply to me. I'll try to articulate my oratal eloquence, to the best of my ability. Yet the belief and heart behind it more so.
All the more importance to pursue a sensible sleep schedule than to face fat tonguing it.
Ppthtptht.
Note, It seems that Obs microphone self-monitoring is making me drop the narrative of my slow, slurred speech and lisp. Like an actor practising in the mirror and getting too stiff and over-practiced with his movements, things are looking up.
Reminds me of the time reading Constantin Stanislavsky, of the mirror only capturing the internal and not the soul of the performance. He can teach a lot about acting other than improvisation.