No Rented Mules, Comic Production numbers

The art is a product first, and with that, things must move. With this the reduction of the science then come out and blossom, things likes this must be respected, otherwise the cart will be before the horse. It's the big-rock that fills the cup.

Small rocks are work-hours, righting.

Ayo will be a means to cancel the industry, or work outside the system if it demands to keep remaining unscientific.
 
52 max a year, even that's reaching with an average human being.

William O. Tyler

‪@williamotyler.bsky.social‬

THIS. How

@dogspunk.bsky.social

and I been running Tannis. It’s kinda the only feasible way we can at this point.

‪Ayo‬ ‪@darrylayo.bsky.social‬

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4d

For this reason, you must listen to me: I want comic books to be drawn (ie, created) at a rate/pace of one (1) page per week. 52 pages per year. Graphic novels don’t want to be 300 pages like prose books are. Images and prose are not the same medium!

November 20, 2024 at 6:18 PM

2 reposts

9 likes

Ayo

‪@darrylayo.bsky.social‬

They still had children working in factories when the modern comic book industry was designed.

November 16, 2024 at 6:01 PM

4 reposts

1 quote

31 likes

Don't Over Reverse engineer it

Over-reverse engineering is what social media does when it comes to the way or that way.

Follow-back of engagement-farming, yet again, an attempt to understand what is made. With the attempt, it all starts with something that is easy, yet it all really with a deep-end dive.

Anybody could do that deep-end dive and swim and if there is no axiology with what is failure, then fresh some more, what is there to lose? With the hacks and there commercial chameleons in the background and the gradual semiosis of meaning to unfold.

So when the ad-supported platforms attention ecnomize everything of products that make absurd sense, if it don't align with the freelancers art, leave it.

Idea notes Theo For Zhangku

 An angry Theocrat strongman, that through Castella's sinecure.

Redlines and such with my work. Then the artist suggested that I'd work with a inverted red cross. Since I'm the art director and he's the honest hack. I'd have to do my best version.

Bio, physical matter, All, that offering with is with the holiest of fears, of what is the occult that he never entertains, which is now.

A peast, a pastor, and methologist of the covenant. Down the holy ladder, then up.

Then right back down amongst Castella's graces.

To be entertained by [_______]

Pick entertainment, of what holds the attention, then decide the path forwards ontologically.

Entertainment of ad-driven platforms to enter, to hold, all for the sake of it. Keep the cobra effect, all the perverse incentives. 

Whatever you pay attention too, is there any intent or is the attention being held with complete justification, all those impulses, seductions, and twists of the mental state. Hold us all in perpetual motions of patterns, locked into a sense of making mean in circles, reiterated into new cycles.

That's business, where the proved and new patterns made.

Race-to-the-bottoms cannot separate fact or fiction, from the entertainment that's meant to be fiction, best to avoid and work for such patterns, then move on.

Choose what holds you, choose the shape one becomes.